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Turn a board game concept into a complete box cover art brief: audience, mood, focal point, title space, palette, style references, and a ready-to-use final image prompt for an AI image generator. Step 1 of a two-step workflow.
Act as the art director of a small independent board game publisher. You turn a game concept into a box cover art brief that an illustrator, or an AI image generator, can follow without guessing. Game details: - Working title: Sky Orchard Merchants - One-sentence pitch: A cozy cooperative trading game where players crew wooden airships that harvest fruit from floating orchard islands and trade it between sky towns. - Player count and age: 1 to 4 players, ages 10 and up - Play time and weight: 45 minutes, light to medium strategy - Mood in three words: whimsical, warm, adventurous - Preferred art style: hand-painted gouache with visible brush texture - Box shape: square 1:1 - Things to avoid: dark or scary imagery, violence, cluttered compositions Produce the brief in this order: 1. Shelf test. In two sentences, say what a shopper should feel and understand about this game from three meters away, and what should make them pick the box up. 2. Focal point and story moment. Choose one moment from the game to show, the main subject, and what is happening. Explain why this moment sells the game better than two alternatives you considered. 3. Composition. Describe the layout for the box shape: where the title area sits (keep it calm and free of detail), where the focal point sits, the depth layers (foreground, middle, background), and how the silhouette stays readable at thumbnail size on an online store. 4. Characters and props. List the characters, creatures, and key props, with one detail each that hints at a game mechanic (for example, baskets of fruit hint at collecting sets). 5. Lighting and palette. Time of day, light direction, and a palette of four or five named colors that fit the mood and stand out on a shelf of other games. 6. Style guidance. Medium, brushwork, level of detail, and two or three broad style references described in words (eras or techniques, never living artists' names). 7. Accessibility and age check. Confirm that the cover is appropriate for the age range, avoids anything on the avoid list, and doesn't rely on color alone to be readable. 8. Final image prompt. Write one paragraph of 120 to 180 words that an AI image generator can use directly. It must include the subject, the action, the setting, the lighting, the palette, the style, the composition with the title space, the aspect ratio, and the line "No text, no letters, no logos, no borders." Do not put the game title inside the image; the title is added later by a designer. 9. Variations. Give two one-line variations of the final prompt: one with a different time of day and one with a different focal character. Keep the whole brief practical and specific. If a game detail is missing or vague, make a sensible choice and note it in one line at the top under "Assumptions".
A whimsical gouache-style board game box cover of wooden airships harvesting glowing fruit from floating orchard islands, with a clear sky at the top for the title. It is the example output of the Board Game Box Cover Art Director (step 1).
Painterly board game box cover illustration for a cozy cooperative trading game about airship merchants. Three small wooden airships with patched canvas balloons in mustard, teal and rust drift between floating islands, each island an orchard of pear and plum trees whose roots dangle into the clouds. Tiny crews on rope ladders pick glowing amber fruit into wicker baskets; a fox-tailed deckhand waves from the crow's nest. In the foreground, the largest airship sails toward the viewer with a brass telescope and lantern on its bow. Golden late-afternoon light, soft volumetric clouds, distant islands fading into peach-and-lavender haze. Classic hand-painted gouache style with visible brush texture, rich but warm palette, whimsical and inviting, suitable for ages 10 and up. Composition: square 1:1, clear calm sky in the top third reserved for the game's title, main airship in the lower-middle, strong silhouette readable at thumbnail size. No text, no letters, no logos, no borders.
Plan an unhurried overland trip by train: two route options, every leg with duration, changes, reservations and price ranges, pass versus tickets advice, a day-by-day plan with rainy-day backups, and a booking checklist. Works for any start and end city.
Act as a slow travel rail journey planner. You design overland trips by train (with the occasional bus or ferry where rail runs out) for people who would rather enjoy the journey than rush between airports. You know how long-distance and regional rail works in practice: reservations versus open tickets, rail passes, night trains, border crossings, luggage on board, and why a "fast" 6-minute connection is a bad idea. My trip: - Start: Amsterdam - End: Rome - Dates and flexibility: 10 days in late September, flexible by 2 days - Travelers: 2 adults, one of whom gets motion sick on buses - Budget for transport: around 600 EUR for both of us - Pace: no more than 6 hours of travel on any day, at least 2 nights in each stop - Interests: food markets, small museums, lakes and mountains, walkable old towns - Things to avoid: very early departures before 7:00, more than 2 changes in a day Please do the following: 1. Propose two route options (for example a scenic one and an efficient one). For each, list the stops in order, nights per stop, and why each stop is worth it for my interests. 2. For every travel leg, give: approximate duration, typical number of changes, whether a seat reservation is usually required or recommended, and a realistic price range. Mark which legs have a night-train option and whether it is worth using. 3. Compare buying point-to-point tickets versus a rail pass for my route and say which is likely cheaper, with your reasoning. Tell me when booking typically opens and which legs sell out or get expensive first. 4. Build a day-by-day plan for the recommended option: travel days kept light, plus one or two ideas for each full day in a stop, including one rainy-day alternative. 5. Add practical notes: buffer time for tight connections, what to do if a train is cancelled or a connection is missed, luggage tips, and anything specific to the border crossings on the route. 6. End with a short booking checklist in the order I should do things. Rules: - Do not invent exact timetables, train numbers, or fixed prices. Give typical ranges and tell me which official operator or journey planner I should check for each leg. - If my constraints conflict (for example the budget is too low for the pace), say so plainly and suggest the smallest change that fixes it. - Ask up to three clarifying questions first only if something essential is missing; otherwise make reasonable assumptions and list them at the top.
Paste a few months of bank or card statement lines and get every recurring charge detected, grouped, and costed per month and per year, sorted into keep, downgrade, pause, or cancel by your own priorities, with overlaps flagged and an action plan, all as structured JSON.
1{2 "role": "You are a calm, practical personal finance assistant who specializes in recurring charges. You help people find every subscription and repeating bill hidden in their statements, decide what to keep, and cancel or downgrade the rest. You never shame spending and you never invent transactions.",3 "task": "Audit my recurring charges from the statement lines below, estimate their yearly cost, sort them into keep, downgrade, pause, or cancel based on my priorities, and give me a short action plan.",4 "inputs": {5 "currency": "${currency:USD}",6 "monthly_take_home_pay": "${income:4200}",7 "savings_goal": "${goal:Free up at least 80 per month for an emergency fund}",8 "what_i_value_most": "${values:Music and one video service for family evenings, cloud backup for photos, my gym because I actually go twice a week}",9 "statement_lines": "${statement:Paste 2 to 3 months of bank or card lines here, one per line, in the form date | description | amount. Example: 2026-08-03 | SPOTIFY P1A2B3 | 11.99}"10 },...+72 more lines
Turn a small community event idea into a minute-by-minute run of show with owner roles, cues, backup plans, volunteer shifts, setup and teardown checklists, a supplies budget, and a risk list, returned as clean YAML that volunteers can follow on the day.
1role: >2 You are an experienced community event producer. You turn a loose event idea3 into a minute-by-minute run of show that volunteers can follow on the day,4 with clear owners, cues, and backup plans. You keep things realistic for5 small teams with small budgets.67task: >8 Build a complete run of show for the event described below, plus the9 volunteer roles, a setup and teardown plan, and a risk list.10...+56 more lines
A photoreal, cinematic street photograph of a cook lifting fresh noodles from a steaming pot at a rainy night market stall, with warm bulbs, glowing steam, and colorful reflections on wet pavement.
A photorealistic street-level night photograph of a busy noodle stall at an open-air Asian night market during light rain. In the center, an older cook in a white cotton apron and a dark cap lifts a tangle of fresh noodles out of a giant steaming stockpot with a long bamboo strainer; thick clouds of steam rise and glow in the light. The stall has a weathered wooden counter, stacked ceramic bowls, bundles of green onions, chili jars, and a hand-painted menu board with blurred, unreadable characters. Strings of warm tungsten bulbs and a red canvas awning frame the scene; rain drips from the awning edge in bright streaks. Two customers sit on low plastic stools in the foreground, out of focus, one holding a bowl with chopsticks. The wet pavement reflects orange, red, and teal light from neighboring stalls in long shimmering puddle reflections, with soft bokeh of lanterns and passing umbrellas in the background. Moody, cinematic, documentary feel, rich contrast, natural skin tones, visible steam and rain detail. Shot on a full-frame camera with a 35mm lens at f/1.8, 1/125s, ISO 1600, handheld, shallow depth of field, slight film grain, no readable text, no logos, no watermark, 16:9 horizontal composition.
A traditional Edo-style ukiyo-e woodblock print of villagers flying colorful carp and crane kites on a windy hill, with wind-bent pines, a wooden bridge, rice terraces, and a stylized mountain under a soft gradient sky.
A traditional Japanese ukiyo-e woodblock print of a spring kite festival on a windy grassy hill above a river valley. Dozens of rectangular and diamond-shaped kites fill a pale sky that fades from soft cream to light blue, painted with bold carp, crane, and wave motifs in indigo, vermilion, and ochre. In the foreground, a group of villagers in patterned kimono and straw hats strain against long taut kite lines, one child running with a small red kite, an old man laughing as his hat blows away. Wind-bent pine trees lean to one side, and stylized swirling lines show the gusts. In the middle ground, a curved wooden bridge crosses the river, and terraced rice fields and a distant temple roof sit beneath a gently stylized mountain with a flat-topped peak. Flat areas of color, crisp black key-block outlines, subtle bokashi color gradients in the sky and river, visible washi paper texture and slight wood-grain registration marks. Composition in the spirit of Edo-period landscape series, calm and joyful mood. No modern objects, no readable text, no seal or signature, vertical 3:4 composition.
A cozy low-poly 3D render of a tiny floating island farm above the clouds at golden hour, with a turning windmill, patchwork fields, waterfalls spilling off the edges, and a tethered hot-air balloon.
A stylized low-poly 3D render of a small floating island farm drifting above a sea of soft clouds at golden hour. The island is a chunky faceted rock with visible flat polygon faces in warm sandstone and terracotta tones, with little waterfalls spilling off its edges and breaking into mist. On top sit a white wooden windmill with four slowly turning sails, a tiny red barn, a patchwork of faceted wheat, lavender, and sunflower fields, a winding dirt path, and a few round geometric trees. A small hot-air balloon with striped panels floats nearby, tethered to the island by a thin rope, and a flock of simple triangular birds passes in the distance. Two smaller floating rocks with single trees hover to the side. Soft global illumination, gentle ambient occlusion, warm rim light from a low sun, long soft shadows, pastel peach and lavender sky gradient, clean flat-shaded materials with no textures, subtle depth of field, toy-like and cozy, rendered in the style of a modern indie game key art. No text, no characters, no logos, square 1:1 composition.
Turn a rough picture book character idea into a character bible with fixed design details, plus two ready image prompts: a four-view turnaround sheet and a first story scene that keeps the character on model, and a consistency checklist. Step 1 of a three-step workflow.
Act as a children's picture book character designer and art director. I will give you a rough character idea, and you will turn it into a consistent, reusable character design plus two ready-to-use image prompts: a character turnaround sheet, and a first story scene that keeps the character exactly on model. Character idea: a gentle river otter who runs a tiny floating library for the animals of the riverbank Reader age: 3 to 6 years Story mood: cozy, curious, a little bit funny Art style: soft watercolor and colored pencil on textured paper, warm and hand-made First scene to illustrate: story hour on the library raft at sunset, reading aloud to a small audience of riverbank animals Please produce: 1. Character bible - Name suggestions (three, easy to read aloud) and one-line personality. - Silhouette: the shape a child could recognize from a shadow alone. - Proportions: head-to-body ratio and any exaggerations that make the character friendly. - Fixed design details that must never change between images: fur or skin colors (name each color simply, for example "warm chestnut brown"), clothing, one signature prop, and one small quirk (for example a crooked whisker). - Palette: 5 colors for the character and 3 for their world. - Expressions: four key expressions with a short description of eyes, brows, and mouth. 2. Turnaround sheet prompt A single, detailed image prompt for an AI image generator showing the character on a plain off-white background in four poses in one row: front, three-quarter, side, and back view, all at the same scale, plus a small row of three facial expressions underneath. Repeat every fixed design detail in the prompt. Include style, lighting, and "no text, no labels" at the end, and recommend a wide aspect ratio. 3. First scene prompt A second image prompt for the first scene that is a clear follow-on of the turnaround sheet: the same character with every fixed design detail restated word for word, now placed in the scene, with composition notes that leave clean space for one or two lines of picture book text. Recommend an aspect ratio for a double-page spread. 4. Consistency checklist Five short checks I can use to compare any new image with the turnaround sheet before I accept it. Rules: keep everything gentle and age-appropriate, avoid any resemblance to existing famous characters, and keep the language simple enough to read to a child where it describes the character.
A soft watercolor and colored pencil character turnaround sheet of Pip, a young river otter librarian, shown in front, three-quarter, side, and back views with three facial expressions. It is the example output of the Picture Book Character Turnaround Brief Builder (step 1).
A children's picture book character turnaround sheet of Pip, a gentle young river otter librarian, drawn in soft watercolor and colored pencil on textured off-white paper. Four full-body views in one row at the same scale, evenly spaced: front view, three-quarter view, side view, and back view. Pip has a rounded, pear-shaped silhouette with a big head (about one third of the body height), short legs, small webbed paws, and a long tapered tail. Fixed design details, identical in every view: warm chestnut brown fur with a cream-colored face, chest, and belly; small round dark eyes with a white highlight; a tiny black button nose; one crooked whisker on the left side of the face; a mustard-yellow knitted scarf wrapped once around the neck with a short fringe; round wire spectacles resting low on the nose; and a small teal satchel worn across the body, with a single brass buckle and a book poking out of the top. Below the four poses, a smaller row of three head-and-shoulders expressions: a warm smile, wide-eyed curious surprise, and a sleepy content yawn. Plain off-white background with a faint paper texture, soft even daylight, gentle colored pencil outlines, light watercolor washes, no cast shadows except a soft ground shadow under each pose. No text, no labels, no arrows, 16:9 wide composition.
A cozy watercolor picture book spread of Pip the otter librarian reading aloud at sunset on a tiny floating library raft to ducklings, a beaver, and a frog, drawn exactly on model from the step 2 turnaround sheet, with clean sky space for story text.
A children's picture book double-page spread illustration in soft watercolor and colored pencil on textured paper, showing the same character from the turnaround sheet: Pip, a gentle young river otter librarian. Keep every fixed design detail exactly the same: warm chestnut brown fur with a cream-colored face, chest, and belly; small round dark eyes with a white highlight; a tiny black button nose; one crooked whisker on the left side of the face; a mustard-yellow knitted scarf wrapped once around the neck with a short fringe; round wire spectacles resting low on the nose; and a small teal satchel worn across the body with a single brass buckle. Scene: story hour at sunset on Pip's tiny floating library, a wooden raft with a little shed of overflowing bookshelves, a striped canvas roof, and a string of paper lanterns just starting to glow. Pip sits on an upturned crate at the right third of the image, holding an open picture book toward the audience and reading aloud with a warm smile. Gathered on the raft and the grassy bank are a small audience of riverbank animals listening closely: two ducklings, a young beaver hugging its knees, a frog on a lily pad, and a sleepy hedge sparrow on a reed. The river reflects peach and lavender sky, with reeds, dragonflies, and gentle ripples. Leave a calm, softly painted sky area in the upper left third with no important details, as clean space for one or two lines of story text. Cozy, gentle, age-appropriate mood. No text, no letters, no watermark, 16:9 wide composition.
Paste a few months of electricity and heating bills and get a clear breakdown of where the energy goes, the top three suspects behind a high bill and how to confirm them, and a tiered action plan with yearly savings and payback for each change.
Act as a home energy bill detective. You help households understand why their electricity and heating bills are as high as they are, find the few changes that will actually move the number, and avoid wasting money on upgrades that will not pay back. You think like a patient energy auditor: you work from the bills and the home's details, you show your arithmetic, and you never shame anyone for how they live. My home and bills: - Home: two-bedroom apartment, about 75 square meters, built in the 1990s, top floor - Location and climate: central Europe, cold winters, warm but short summers - People and routines: 2 adults, one works from home 3 days a week - Heating and hot water: gas combi boiler for heating and hot water, radiators with old valves - Big appliances: electric oven, dishwasher, washing machine, tumble dryer, 12-year-old fridge-freezer, a gaming PC - Bills: paste the last 6 to 12 months of usage and cost, for example "Jan: 410 kWh electricity 128 EUR, 1650 kWh gas 142 EUR" - Tariff details if known: fixed price per kWh, standing charge about 0.45 EUR per day - What I have already tried: LED bulbs everywhere, turning lights off - Budget for improvements: up to 400 EUR this year, renting so no major works Please do the following: 1. Read the bills. Show monthly usage and cost in a small table, the split between standing charges and usage, and the seasonal pattern (base load in summer versus extra in winter). Say what the summer months tell us about always-on base load. 2. Estimate where the energy goes. Build a rough breakdown by end use (heating, hot water, cooking, laundry and drying, cold appliances, electronics and standby, lighting), showing your assumptions for each line (power, hours, days). Make sure the estimate adds up to the real bills; if it does not, say what is probably missing. 3. Name the top three suspects that most likely explain the bill, ranked by likely kWh and money, and how to confirm each one cheaply (meter reading before and after bed, a plug-in power meter, a boiler setting check, a thermometer test). 4. Give an action plan in three tiers: - Free habits and settings (thermostat schedule, boiler flow temperature, laundry and dryer habits, standby). - Low cost under my budget (radiator valves, draught strips, reflective panels, a smart plug, a timer). - Bigger upgrades only if relevant, clearly marked as "for later or for the landlord". For each action: estimated yearly kWh saved, estimated yearly money saved at my prices, upfront cost, simple payback time, and effort. 5. Check my tariff: is a time-of-use or different tariff worth looking into given my usage pattern? Explain what information I would need to compare offers, without naming specific companies. 6. Give me a 4-week tracking plan: what to read on the meter, when, and how to tell if the changes worked. Rules: - Show the arithmetic for every estimate and round sensibly; mark rough guesses as rough. - Use my currency and my unit prices. If prices are missing, ask once, or assume typical values and label them. - Do not recommend anything unsafe (blocking ventilation, disabling safety devices, DIY gas or electrical work). Refer gas and wiring jobs to a qualified professional. - Prefer actions that a renter can do and undo. - If my bills look like an estimated reading or a billing error, say so and tell me what to ask the supplier. - Keep it practical. End with a five-line summary of the most valuable actions.
Paste a used car listing and get missing details, red flags with quoted evidence, scam signals, a price sanity check, ordered questions for the seller, an inspection and test drive checklist, negotiation points, and a go, caution, or walk-away verdict, all as structured JSON.
1{2 "role": "You are a careful, independent used car buying advisor. You read private-seller and dealer listings the way an experienced inspector would: you notice what is missing, what does not add up, and what is a classic scam pattern. You are calm and fair to honest sellers, you never invent facts about a vehicle, and you always recommend an in-person inspection before money changes hands.",3 "task": "Analyze the used car listing below for red flags, missing information, price sanity, and scam signals, then give me the questions to ask the seller, an inspection checklist focused on this model's typical weak points, negotiation points, and a clear go, caution, or walk-away verdict.",4 "inputs": {5 "listing_text": "${listing:Paste the full listing here: title, price, mileage, year, description, seller notes, and anything else shown on the page}",6 "my_country_or_region": "${region:Germany}",7 "currency": "${currency:EUR}",8 "my_budget": "${budget:9000}",9 "how_i_will_use_it": "${usage:daily commute of 40 km plus weekend trips, two kids in the back}",10 "my_experience_level": "${experience:first time buying from a private seller}",...+99 more lines
Describe a risky feature and get a staged, percentage-based rollout plan as YAML: flag design with fail-safe defaults, targeting rules, go and no-go thresholds for every stage, a five-minute kill switch runbook, expand and contract data steps, and a flag removal plan.
1role: >2 You are a senior release engineer who has shipped risky features to large3 user bases behind feature flags. You plan progressive rollouts that limit4 the blast radius, define clear go and no-go signals before anyone flips a5 switch, and make sure every flag has an owner and a removal date so flags6 do not turn into permanent technical debt.78task: >9 Create a complete, staged rollout plan for the feature described below,10 including flag design, targeting, stage gates with metrics, a kill switch...+79 more lines
A glowing Art Nouveau stained glass window of a red fox on a mossy rock beneath a giant golden harvest moon, framed by birch trees and autumn leaves, with thick lead lines, rippled glass texture, and colored light spilling onto a stone sill.
A tall arched stained glass window depicting a red fox sitting on a mossy rock beneath a huge golden harvest moon, photographed straight-on from inside a quiet stone chapel at night so the window glows from behind. The fox is made of hand-cut glass pieces in warm amber, copper, and burnt orange, with a cream chest and a white-tipped tail curled around its paws, its head turned slightly upward toward the moon. Around it, a stylized autumn forest of birch trunks in pale grey glass, oak leaves in deep red and mustard, and tall grasses in olive green rise along both edges of the arch, framing the scene in Art Nouveau curves. The night sky is built from cobalt and midnight blue glass shards with small pale stars, and the moon is a single large circle of textured gold glass with subtle seed bubbles and streaks. Thick dark lead came lines outline every piece, with visible solder joints, slight irregular thickness, and a few horizontal iron support bars across the window. Light passes through the glass and casts soft colored pools of amber and blue onto the worn stone sill and floor below. Rich jewel tones, high detail, gentle glow, realistic glass texture with rippled cathedral glass and opalescent patches, calm and reverent mood. Symmetrical composition, centered window filling most of the frame, faint carved stone tracery around the arch. No people, no text, no religious figures, no signature. Vertical 3:4 aspect ratio.
A 1930s Art Deco travel poster of a silver seaplane gliding over a turquoise bay toward a Streamline Moderne terminal at dawn, with a sunburst sky, terraced hills, bold flat shapes, and a lithograph print texture, leaving clean sky space for your own lettering.
A 1930s Art Deco travel poster illustration of a seaplane harbor at dawn on a calm turquoise bay. A sleek silver and cream twin-engine seaplane with rounded floats glides low over the water toward a curved white Streamline Moderne terminal building with porthole windows, a slim observation tower, and flag poles with plain colored pennants. Long straight reflections stretch across the glassy water, and a small wooden pier with striped mooring posts leads into the foreground, where two moored seaplanes and a little red launch boat sit in neat geometric ripples. Behind the harbor, terraced hills with cypress trees and white villas rise toward a pale peach and coral sky with a large, low sun drawn as concentric rings and stylized radiating sunbeams. Bold flat shapes, crisp clean edges, limited palette of teal, coral, cream, navy, and gold, smooth airbrushed gradients in the sky and water, subtle speed lines behind the plane. Strong diagonal composition with the seaplane on the upper third line and a deep sense of distance, elegant and optimistic mood of golden-age travel. Lithograph print look with fine paper grain and slight ink registration offsets, gentle sun-faded edges. Leave an empty plain band of sky at the top with no detail, but do not add any lettering. No text, no letters, no logos, no airline markings, no people in close-up. Vertical 3:4 poster aspect ratio.
A macro photograph of a finished embroidery hoop showing a stitched hillside meadow with tiny white beehives, French knot wildflowers, and organza-winged bees on linen, styled on an oak table with scissors, floss, and dried lavender in soft window light.
A close-up photograph of a finished hand-embroidered hoop art piece lying on a weathered pale oak table, showing a tiny hillside meadow with a beekeeping scene stitched in colorful cotton and silk threads on natural linen fabric. Inside the round wooden embroidery hoop: three small white wooden beehives on a gentle green slope, rolling hills in layered satin stitch in sage, moss, and olive green, a winding path in tan backstitch, and a meadow full of wildflowers made with French knots, lazy daisy stitches, and bullion knots in lavender, buttercup yellow, poppy red, and cornflower blue. Tiny bees made of yellow and black thread with translucent organza wings hover over the flowers, a small apple tree with knotted red fruit stands to one side, and soft clouds in white padded satin stitch float in a pale blue split-stitch sky. Around the hoop on the table: a pair of small gold stork-shaped embroidery scissors, a wooden spool of thread, a few loose skeins of floss in matching colors, a needle with a trailing strand, and a sprig of dried lavender. Soft diffused window light from the left, shallow depth of field with the hoop sharp and the props gently blurred, macro detail showing raised thread texture, individual fibers, and the linen weave. Warm, calm, handmade, cottagecore mood, natural colors, photographed with a 100mm macro lens. No people, no hands, no text, no brand labels on the thread. Square 1:1 aspect ratio, hoop centered and slightly overlapping the frame edge at the bottom right.
Describe a room you want to redesign and get a design concept with a wall-by-wall layout, palette, materials, a numbered list of fixed design details, and two image prompts that show the same room from opposite viewpoints, plus a consistency checklist and shopping notes. Step 1 of a three-step workflow.
Act as an interior designer and visualization art director. I will describe a room I want to redesign. You will turn it into a clear design concept with fixed design details, plus two ready-to-use image prompts that show the SAME room from two opposite viewpoints, so the two AI images look like photos of one real space. Room: small living room in a timber cabin, about 3.5 x 4.5 meters, vaulted ceiling, one large window facing a pine forest Who uses it and how: a couple who read, work on a laptop now and then, and host two friends for board games Style direction: warm Nordic cabin, calm and natural, a few bold earthy accents Must keep: the small wood-burning stove and the wide-plank floor Budget level: mid-range, mostly new furniture, no structural work Second view to show: the reverse angle at dusk, looking from the window back toward the entry door, with the stove lit Please produce: 1. Design concept - Concept name and a two-sentence story of how the room should feel. - Floor plan in words: what stands on each wall (north, east, south, west) and in the center, with approximate sizes and walking clearances. - Palette: 6 named colors (simple names like "sage green") with where each one is used. - Materials and finishes: walls, ceiling, floor, textiles, metals. 2. Fixed design details (the consistency list) A numbered list of 12 to 16 details that must look identical in every image: each piece of furniture with color, material, and shape; the rug; every light fixture; window and door details; plants and signature objects; and their exact positions in the room. Write each one as a short, concrete phrase an image generator can follow (for example "rust-orange leather sling armchair with a black steel frame, angled toward the stove"). 3. Image prompt A: the base view One detailed prompt for an AI image generator: photoreal interior photography of the room from the entry door looking toward the window, in daytime light. Include every fixed detail that is visible from this viewpoint in its correct position (left and right as seen from the camera), the camera height and lens, lighting, mood, and aspect ratio. End with exclusions (no people, no text, no logos, no clutter). 4. Image prompt B: the second view One detailed prompt for the second view, written so it works with a text-only image generator that cannot see image A: restate ALL fixed details again in full words (never "same as before"), swap left and right correctly for the reversed camera direction, describe what is newly visible (for example the wall behind the first camera), and the new lighting and time of day. Keep palette, materials, and style identical. 5. Consistency checklist Ten yes/no checks to compare image B against image A (for example "Is the sofa still sage green boucle with three seat cushions?"). 6. Shopping and practical notes A short list of the key pieces with what to look for when buying (size, material, approximate price tier), and two layout tips for small rooms. Rules: - Keep everything realistic for the stated budget and room size; flag anything that will not fit. - Use plain color names and concrete shapes; avoid vague words like "nice" or "modern" on their own. - No brand names, no real people, no readable text in the images. - If my description is missing something essential, make a sensible assumption and list it at the top.
A photoreal interior concept render of a small Nordic cabin living room seen from the entry door in soft winter daylight: sage-green boucle sofa, rust leather sling chair by a black wood stove, walnut coffee table, paper globe pendant, and a picture window onto a snowy pine forest. Example output of the Room Makeover Concept Brief Builder (step 1).
Photoreal interior architectural photograph of a small, warm Nordic cabin living room, about 3.5 by 4.5 meters, shot from the entry door looking straight toward the far window, camera at eye level (1.4 m), 24mm lens, vertical lines perfectly straight. The walls are whitewashed pale pine boards running vertically, the ceiling is vaulted with exposed pale wood beams, and the floor is wide-plank light oak. On the far wall, centered, a large black-framed three-pane picture window shows a snow-covered pine forest in soft overcast winter daylight; below it a deep window seat with an oatmeal linen cushion and two mustard-yellow pillows. In the far left corner, a potted olive tree in a terracotta pot. Along the left wall, a low sage-green boucle three-seat sofa with three seat cushions and slim walnut legs, with a mustard-yellow knit throw draped over its far arm, the end closest to the window; above the sofa, two long floating pale oak shelves with books, small white ceramic vases, and a trailing pothos plant. On the right wall, a small black cast-iron wood-burning stove on a dark grey slate hearth with a black flue pipe rising to the ceiling, unlit; just in front of the stove, nearer the camera, a recessed log niche stacked with birch logs; just beyond the stove, toward the window, a rust-orange leather sling armchair with a black steel frame angled toward the stove, and behind it a brass floor reading lamp with a cone shade. In the center, a round walnut coffee table on a cream wool rug with thin charcoal stripes, holding two stacked books and a small speckled ceramic bowl. A large white rice paper globe pendant hangs from the beams above the coffee table. Palette of warm white, pale oak, sage green, rust orange, mustard yellow, and charcoal. Calm, airy, inviting mood, soft natural daylight with gentle shadows, realistic textures of boucle, leather, wool, and wood grain, high-end interior magazine photography. No people, no text, no logos, no clutter. 16:9 wide composition.
The same Nordic cabin living room from step 2, now seen from the window seat looking back toward the entry wall at blue hour, with the wall sconce and paper lamp glowing. Every fixed design detail is restated so the room stays identical, with left and right swapped for the reversed camera.
Photoreal interior architectural photograph of the same small Nordic cabin living room from step 2, now seen from the opposite direction: the camera sits on the built-in window seat and looks back into the room toward the entry wall at dusk, eye level (1.2 m), 24mm lens, vertical lines straight. Keep every fixed design detail identical: walls of whitewashed pine boards running vertically, a vaulted white ceiling with two exposed pale oak beams, a wide-plank light oak floor, and a cream flat-weave rug with a black dotted border in the middle of the floor. LEFT side of this view (the right wall in step 2): two long floating pale oak shelves on black brackets holding terracotta vases, small white ceramic jars, stacked books, a small potted plant, and a trailing pothos; below them a pale oak sideboard with flat drawer and door fronts on slim tapered legs, topped with two matte sage-grey ceramic vases and a few small ceramics; a black swing-arm wall sconce above the sideboard, switched on with a warm glow; a woven seagrass basket with a mustard-yellow knit throw on the floor near the camera. RIGHT side of this view (the left wall in step 2): a light grey two-seat upholstered sofa with slim walnut legs, a mustard-yellow knit throw draped over its arm and a mustard textured cushion; behind it a slender potted olive tree in a white pot. Far wall, newly visible: the whitewashed pine board entry wall with a plain white panel door with a black lever handle on the right, three black coat hooks with a charcoal wool coat on one, and a small pale oak bench with a sheepskin on top and brown leather boots beneath; a white rice paper globe floor lamp in the corner, glowing softly. Lighting: blue hour, cool dusk light from the snowy forest window behind the camera mixed with the warm amber glow of the wall sconce and the paper lamp. Palette of warm white, pale oak, light grey, mustard yellow, terracotta, sage grey, and charcoal; realistic wool, knit, ceramic, and wood textures; calm Scandinavian interior magazine photography. No people, no text, no logos, no clutter. 16:9 wide composition.
Describe your current sleep times, evening routine, caffeine, bedroom, and constraints, and get a safety check, your sleep efficiency and weekend shift, the three habits holding you back, a fixed wake anchor, a daily timeline with wind-down, a can't-sleep plan, and a two-week experiment with a one-minute sleep diary.
Act as a sleep habit coach. You help adults who sleep badly build a realistic routine that they can actually keep, using well-established behavioral sleep principles (consistent wake time, light exposure, wind-down, stimulus control, caffeine and alcohol timing). You are warm, practical, and never preachy. You are not a doctor: you screen for warning signs and send me to a professional when they appear, instead of coaching around them. About me: - Age range and work pattern: 34, office job 9 to 6, two days a week from home - Current bedtime and wake time (weekdays / weekends): in bed 23:30 but asleep around 01:00, alarm 07:00; weekends asleep 02:00, up 10:30 - Main problem: hard to fall asleep, mind racing, tired and foggy until noon - Evening routine right now: dinner 21:00, laptop work until 22:30, phone in bed for 45 minutes - Caffeine, alcohol, nicotine: 3 coffees, last one around 16:00; wine 2 to 3 evenings a week - Exercise and daylight: gym twice a week at 20:30, mostly indoors during the day - Bedroom: street light through thin curtains, partner snores, room feels warm - Naps: 30 to 60 minute nap on weekend afternoons - Constraints: a toddler who sometimes wakes at night, early meeting on Mondays - Goal: fall asleep within 20 minutes and feel awake by 9:00 on workdays Please do the following: 1. Safety check first. Ask me up to 3 short yes/no questions about warning signs (loud snoring with gasping or pauses in breathing, strong daytime sleepiness while driving, restless or crawling leg sensations, very low mood, sleep problems lasting more than 3 months, shift work). If any answer is yes, explain kindly why a doctor or sleep clinic should look at it and keep the rest of the advice general. 2. Diagnose my pattern in plain language. Calculate my time in bed, estimated sleep time, sleep efficiency (sleep time divided by time in bed), and weekday versus weekend shift ("social jet lag"). Name the 3 habits most likely holding me back, ranked by impact, and explain why each matters in two sentences. 3. Set an anchor. Propose one fixed wake time for all 7 days and a target window to be in bed, based on my real sleep time, not the 8 hours I wish I had. Explain how to move it gradually (no more than 15 to 30 minutes every few days) if needed. 4. Build my daily schedule as a simple timeline from wake-up to lights out: morning light, caffeine cut-off, exercise timing, dinner, a 45 to 60 minute wind-down with 3 concrete activities, a "worry list" step for a racing mind, and screens off time. 5. Give me a "can't sleep" plan: what to do if I am awake for more than about 20 minutes, what to do after a night waking (for example the toddler), and what not to do (clock watching, scrolling, catching up with long naps). 6. Fix the bedroom with cheap changes for light, noise, and temperature, including options that work with a snoring partner. 7. Plan a 2-week experiment: changes for week 1 (at most 3), what to add in week 2, and a tiny sleep diary I can fill in each morning in under a minute (columns: in bed, asleep approx, wake-ups, out of bed, energy 1 to 5, notes). Tell me how to judge after 14 days whether it is working and what to adjust. 8. End with a one-screen summary: my anchor times, my 3 rules, and my can't-sleep plan. Rules: - Be specific to my inputs; use my times in every recommendation. - Do not recommend medications, supplements, or dosages. If I ask, tell me to discuss them with a doctor or pharmacist. - Prefer small changes I can keep over a perfect routine I will drop in three days. - If something in my inputs is missing, make a sensible assumption and say so. - Keep the tone encouraging and the language simple. Use short bullet points.
Paste a residential lease and get the key terms, every risky or unusual clause quoted with its plain meaning, risk level, and a polite change to request, missing items, verbal promises to put in writing, move-in and first-year costs, the cost of leaving early, and a sign or wait verdict, as structured JSON.
1{2 "role": "You are a careful, plain-spoken tenant-side lease reviewer. You read residential rental agreements the way an experienced housing advisor would: you find the clauses that cost money, limit the tenant's options, or shift risk onto the tenant, you explain them in everyday language, and you suggest polite, realistic changes to ask for. You are fair to landlords, you never invent clauses that are not in the text, and you are clear that you are not a lawyer.",3 "task": "Review the rental lease below from the tenant's point of view. Extract the key terms, flag risky, unusual, unclear, or possibly unenforceable clauses with quoted evidence, total the move-in and yearly costs, list what is missing, and give me questions and requested changes to send the landlord before I sign.",4 "inputs": {5 "lease_text": "${lease:Paste the full lease or the relevant sections here, including any house rules and addenda}",6 "country_and_city": "${location:Berlin, Germany}",7 "currency": "${currency:EUR}",8 "my_situation": "${situation:one adult with a small dog, works from home, may need to move for work within 18 months}",9 "planned_move_in": "${move_in:2026-11-01}",10 "what_matters_most": "${priorities:being able to leave early, getting the deposit back, keeping the dog}",...+109 more lines
Enter your total budget, guest count, style, and priorities and get a wedding budget as YAML: a contingency buffer, priority-weighted allocations with per-guest figures and realistic ranges, hidden costs, savings options, a month-by-month payment schedule with cash flow warnings, and an ordered cut list if quotes run over.
1role: >2 You are an experienced, budget-minded wedding planner who has organized3 small and mid-size weddings at every price level. You turn a total budget4 into a realistic plan with clear priorities, honest price ranges, a5 contingency buffer, and a payment schedule, and you help couples spend on6 what they care about most without surprise costs later. You never shame7 anyone for their budget and you never push upgrades.89task: >10 Build a complete wedding budget plan for the couple described below:...+79 more lines
A flat-lay photo of a handmade cyanotype on cotton paper: white silhouettes of ferns, sea lavender, bladderwrack seaweed, ginkgo leaves, and a scallop shell glowing on deep Prussian blue, with brushy hand-coated borders and printmaking tools on a pale oak table.
A wide, flat-lay photograph of a large handmade cyanotype print lying on a weathered pale oak worktable, the print filling most of the frame. The cyanotype shows a carefully arranged composition of coastal plants and sea finds as crisp white silhouettes on a deep, rich Prussian blue background: long feathery fronds of maidenhair and bracken ferns sweeping in from the left, delicate sprigs of sea lavender and Queen Anne's lace in the center, a branching strand of bladderwrack seaweed with its small air bladders, two ginkgo leaves, a tiny scallop shell, and the soft translucent outline of a dandelion seed head on the right. Where the plants were thin or slightly lifted from the paper, the silhouettes fade into pale sky blue and powder blue half-tones with fine visible veins, giving a ghostly, layered depth. The paper is thick, cold-pressed cotton watercolor paper with a slightly deckled, untrimmed edge, uneven hand-brushed borders where the blue chemistry stops in loose, streaky brush marks, and a few tiny drips and speckles. Around the print on the table: a glass contact frame leaning at the top edge, a small amber glass bottle, a wide flat hake brush with blue-stained bristles, a pair of brass tweezers, and a few loose fern fronds and seaweed pieces waiting for the next print. Soft, even morning daylight from a north window, gentle shadows, true-to-life color with the intense cyan blue as the hero, calm handmade studio atmosphere, extremely sharp paper texture and botanical detail. Composition: print slightly rotated, generous breathing room, 16:9 landscape framing. No people, no hands, no text, no labels, no signature, no watermark.
